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    Thursday, October 19th, 2006
    3:33 pm
    RE: free speech?
    Mary McAleese, President of Ireland

    The Defence of Freedom

    Edited version of speech delivered to The Irish Times/Harvard University Colloquium, 16 October 1998

    Human rights are the oxygen of civilisation. Nobody owns them. Nobody has authority to deny them to another. Sir Edward Coke — speaking of the Magna Carta in 1628, in an era before the introduction of gender-neutral language — proclaimed that ‘human rights is such a fellow that he will have no sovereign’. They are the birthright of all.

    The Declaration of Human Rights is couched in eloquent and persuasive language — the kind of language designed to comfort the oppressed, to challenge the oppressor. But when we move from its broad brush to translating its effects and ethos into everyday life as it is lived in the chaos of the world, we also have to acknowledge the perverse complexity of some of the issues we are called on to address.

    Freedom of speech is one such issue and it is upon that freedom I want to reflect in this address, raising more questions than I have answers but offering (I hope) some insights.

    Article 19 of the Declaration of Human Rights proclaims that ‘everyone has the right to freedom of opinion and expression; this right includes freedom to hold opinions without interference and to seek, receive and impart information and ideas through any media and regardless of frontiers.’ Article 40 of the Irish Constitution (1937) declares that ‘it is the right of the citizens to express freely their convictions and opinions.’

    And of course the famous First Amendment to the American Constitution states that ‘Congress shall make no law, abridging the freedom of speech, or of the press or the right of people peaceably to assemble and to petition the government for redress of grievances.’

    By freedom of speech we generally mean, and I mean here, freedom of expression — not just words but images, symbols and even demonstrations or marches through which views and convictions are expressed or cultural heritage showcased.

    Clearly there are many instances (Northern Ireland being one of them) where civil rights have been won and other important social grievances have been redressed by people who asserted themselves verbally in ways which were at first strongly resisted by their fellow citizens and the authorities.

    The history of the debate concerning freedom of expression is full of ironies. Northern Irish Catholics, who were themselves beneficiaries of a civil rights movement which staunchly asserted its right to march, now find themselves challenging the demands of the Protestant Orange Order to march where it pleases.

    When Orangemen proclaim their right to ‘march the queen’s highway’ why then is there no simple convergence of interest — no clear if even grudging recognition that if all citizens are to be equally accorded fundamental freedom of speech then we must be prepared to tolerate marches by people whose views we disagree with?

    A minority of Orange marches are deeply controversial. In asking ourselves why this should be so, it is worth looking for a moment beyond Northern Ireland to other societies in which the exercise of freedom of expression has been a source of dispute.

    An American visitor spoke to me at the height of this year’s trouble at Drumcree, near Portadown in Northern Ireland. An Orange march had been banned and was refusing to disperse. ln the ensuing violence across Northern Ireland three little children were to be burned to death. Yet during the stand-off my American visitor said that in the United States the march would in all likelihood have gone through with the full backing of the law.

    As Prof. Samuel Walker has written in his fine book on the history of hate speech in the United States, this country ‘protects even the most offensive forms of expression’ and — in his view — the First Amendment protection of freedom of speech is ‘one of the glories of American society.’ I too greatly admire the robust manner in which the Supreme Court of the United States of America has defended and promoted free speech. However, you also in this country have faced situations of choosing between one person’s freedom of speech and another's freedom to live quietly in peace — situations where one person’s voice speaking freely has consigned another to fear and terror.

    The truth is that sometimes the exercise of freedom of expression is actually experienced as personally oppressive and humiliating, especially (although not exclusively) by the weak, the powerless and the deprived.

    An American case of 1992 is regarded by some observers as a landmark in this whole debate. The Jones family, a black family living in a white neighbourhood in St Paul, Minnesota, were subjected to harassment. One night a burning cross, the symbol of racist persecution, was placed within the fenced yard of their house. Robert Viktora was among those who put the burning cross there. He was prosecuted under a city ordinance directed against the display of a symbol which one knows, or has reason to know, ‘arouses anger, alarm or resentment in others on the basis of race, color, creed, religion or gender…’

    The US Supreme Court upheld the First Amendment rights of Robert Viktora and struck down his conviction in a lower court.

    To return to Northern Ireland, its annual Orange marching season provides some further examples of how one person's freedom of expression can be felt by another as a restriction of his or her own rights.

    Most Orangemen see their marches not just as an historic tradition but as an expression and celebration of their hard-won rights and liberties. But, conversely, some of their parades are seen by Catholic or nationalist residents of the areas through which they pass — and often by the wider nationalist community as well — not just as a major intrusion on their right to live peacefully in their own homes but as an assertion of superiority and an expression of a continued reluctance to accept the full equality of the two communities

    In the past, the Catholic community collectively tended to choose to stay silent in the face of unwelcome parades. In recent years, Catholic residents’ groups have exercised their freedom of speech to talk back, to protest at the marches and to insist that their sensitivities must be taken into account in the routing and timing of marches.

    There have been, often due to an escalation of tensions far away from the locations themselves, confrontations, stand-offs, and sometimes appalling violence, even deaths. Inevitably, people other than those directly concerned become involved.

    The Good Friday agreement sends out a clear message — the way forward is through affording each other respect and tolerance, through accepting diversity, ultimately through consensus and partnership.

    It is vital, therefore, that those of us who support freedom of expression do not resort to absolutist arguments, as though we were proclaiming the divine right of kings, as though an appeal to rock-hard principle could resolve the dilemma of conflicting rights both neatly and comprehensively.

    There are some important questions here — questions about the voice or voicelessness of the victim which are sometimes dismissed or finessed from the agenda when free speech is discussed. The experiences of people on both sides in Northern Ireland can provide useful insights in answering these questions.

    Northern Ireland in particular has a very creditable civil code which provides legal redress for verbal sexual, religious or racial harassment in the workplace. It effectively outlaws certain language and behaviour notwithstanding the commitment to freedom of speech.

    Out on the street, however, the same conduct which is unacceptable in the workplace — or, indeed, conduct which is much worse — may be, and often is, protected by appeals to freedom of speech. Even in countries where constitutional provisions speak of the equality and dignity of each human person — and indeed pledge to vindicate that equality by law — there is freedom to express views which promote racial supremacy, gender inequality or religious hatred.

    Arguing that opponents have an equal right to talk back, states founded on a commitment to human rights sometimes adopt a deliberately neutral pose on the public expression of views anathema to those very human rights, provided that the views expressed stop short of immediate incitement.

    However, being entitled to talk back and actually talking back are two different things and in my view it is worth reflecting on whether and to what extent we encourage and promote effective talk-back; that is to say the kind of talk-back which ensures that free speech is not just a licence for the voluble bully.

    Take the immigrant issue for example — an issue affecting so many countries, including my own. Sometimes language used about immigrants is inconsiderate and wounding. Our freedom of speech can be a whip on their backs. Yes, some people rally to defend them but what of the woundedness that goes deep, what of the silent places into which they creep — fearful for their present and terrified for their future?

    I need hardly remind a Massachusetts audience that we Irish have often been immigrants ourselves and have been on the receiving end of hate speech.

    One month ago when l was in England, I visited an exhibition on Irish travelling people who live there — in another era these people were called Irish gypsies or itinerants. Children at the exhibition put on a little play. It told of their experiences on the street and the names which they were called — ‘dirty gippos’ was the most repeatable of them.

    What does it mean to children like them to tell them that their tormentors are exercising their freedom of speech, that the state defends their right to do so?

    Was not this what was said to the inhabitants of Skokie, Illinois, where in 1977 a small Nazi organization asserted the right to parade through a largely Jewish village? The Nazis’ case was controversially supported on First Amendment grounds by the American Civil Liberties Union and it succeeded in the Circuit Court of Appeals. The US Supreme Court refused to hear an appeal. In the end, the planned Nazi march did not go ahead in Skokie itself but there remains to this day a real question about how far we can acknowledge responsive silence, silence provoked by fear and subtle, insidious intimidation.

    How far should we acknowledge that the marchers were sending a powerful message, throwing big shapes, intending to instill fear and paralysis? They were not simply planning on marching any old place, they were on a mission — out to destroy peace of mind in a Jewish community.

    Just as in Northern Ireland, both sides can invoke seemingly innocent and even noble values in ways which result in fine words not actually meaning what they seem to say. They may have — to borrow a phrase which the poet Seamus Heaney uses about the words of enmity — ‘the toothed efficiency of a mowing machine’.

    If you have experienced the wounding power of symbols and of language you may not readily agree in adulthood with the sentiments of that reassuring refrain which is used by children and which goes: ‘Sticks and stones may break my bones but names will never hurt me’. Name-calling, words and even tunes, can and do hurt. They can hurt deeply, offend and inflame. Language is sometimes a signal by the aggressive that exclusion and persecution will be tolerated. It can chill dissent and inflict psychological torment.

    Certainly, many legislatures have codes designed to criminalise conduct which steps over a threshold into incitement to hatred or violence. But these codes have often been accused of being inadequate.

    I do not dispute the thesis that to embrace freedom of speech means having to listen to things which we do not like and things with which we profoundly disagree. What I do say is that the right of free speech can be enhanced. How? By ensuring that those who feel wounded by hateful expression have an effective means of being heard and of remedying any harm done to them by the barbs contained in those words.

    The historical paralysis often experienced by victims of bigotry is no accident. As Rita Kirk Whillock, of the Southern Methodist University, has put it in an essay on hate as a stratagem for achieving political and social goals, ‘the use of hate as a rhetorical stratagem allows (the speaker) to accomplish four specific goals: to inflame the emotions, denigrate the designated outclass, inflict permanent and irreparable harm to the opposition, and ultimately, to conquer’.

    The experience of women has often been one of having something to say but saying it to a brick wall in a society dominated by men. Recent research by Catharine MacKinnon and others on the subject of pornography undermines the contention that if everyone is free to talk then everyone is equal and can simply counter opinions which they find offensive. Our defence of freedom of expression can only be enhanced in the end by our concern for the victims of its abuse.

    Those of us who believe that words can hurt are seeking a balance. We do not wish a treasured human right to be hedged in by so many qualifications that the right itself becomes more theoretical than actual.

    For this reason, we must seek ways of advancing the debate which will not reverse victories achieved in the course of a long international struggle for civil and human rights.

    Positive action rather than censorship is the best way of fighting abuses of free speech, although some censorship or criminalisation of hatred cannot be ruled out. For if our constitutions and our treatises on human rights acknowledge the equality of each human being, then why should legal systems be seen to be neutral when children are called ‘dirty gippos’, or when religious difference becomes religious hatred?

    There is some evidence that in those areas in Northern Ireland where dialogue forums have been set up across the cultural divide people are moving painfully up a mutual learning curve and are beginning to deal with deep-rooted mistrusts and hatreds.

    There are those voices who would outlaw parades of all shades altogether. It is sometimes tempting to regard censorship as a short cut to creating the perfect society. Indeed, it is clear that the right of free speech is not absolute even within the United States. In this country obscenity is prohibited and indecency circumscribed. There are remedies for libel and sexual harassment. Also, ‘fighting words’ which are likely to make the person to whom they are addressed commit an act of violence are inhibited.

    For its part, the United Nations Declaration of Human Rights reminds us that the freedom of expression is balanced by other obligations. It states that: ‘Everyone has duties to the community in which alone the free and full development of his personality is possible’ and that everyone may be subject to limitations which secure what the Declaration describes as ‘due recognition and respect for the rights and freedoms of others and the just requirements of morality, public order and the general welfare in a democratic society’ (Article 29).

    The question ultimately is not if it is wise to limit freedom of expression in certain circumstances — for such limitation in principle is widely acceptable. Rather we may ask if there are means of enhancing freedom of expression so that potential victims of speech and imagery are protected and given a remedy even if that remedy is simply a credible and meaningful opportunity to talk back.

    There are at least three particular ways in which the right of freedom of expression may be enhanced by the protection of the vulnerable and by a raising of awareness as to why the broadest freedom of expression is desirable. Education, from the earliest years, in both equality and free speech and in the avoidance of its abuse; support for research into the impact of words and images; the creation of accessible and dedicated public talk-back forums or mediation mechanisms.

    In recent years, schools have made real efforts to promote cross-community understanding. The new political climate demands that those efforts be redoubled and extended beyond the schools. We coherently have to shift gear from a culture of conflict to a culture of consensus.

    Education has a very important role to play too in helping people to discover new and imaginative ways of expressing cultural identity, ways more consonant with a culture of consensus, ways which can showcase a culture at its best.

    The need for public talk-back venues is, it seems to me, the most important issue to raise here. By those I mean places of communication or protest for those who feel marginalised or oppressed by the exercise of free speech by others. So often each side feels that it alone is the victim, it alone is being martyred. By freeing these voices we enhance and advance freedom of speech, vindicating the rights of all, provoking dialogue and, ultimately, better informing public opinion.

    The feeling of being put upon by others in the exercise of their free speech requires a very serious and profound response from all those committed to freedom of speech.

    It is by such creative and constructive initiatives that I choose to assert the rights of victims of freedom of expression. By recognizing too the relevance of social inequality to this debate we lose nothing.

    Those of us who advocate tolerance for free speech can hope to find common ground with those who are principally concerned about the effects of such speech on the vulnerable and the oppressed.

    Freedom of expression is a precious human right. We are called to defend it not only against those who would suppress free speech but also against those who have made of that freedom a licence. They use it as a weapon to exploit, hurt or oppress their fellow and sister citizens. They do it cynically, and they do it deliberately. That is the price we pay for that freedom; it is a high price for those who feel the brunt of that weapon’s poison and hatred. By all means let us say to the hard of heart — you are free to speak, but you will never have the last word.
    Saturday, October 7th, 2006
    9:23 am
    Irregular Cycle
    Crude coin
    Her masquerade of light encompasses the feeble city
    Glabrous yellow robe the sky wears inside its appendage
    Stamp my face
    Everything makes a stolen glance like Inca gold

    Current Mood: Selenophobic
    Monday, October 2nd, 2006
    9:15 pm
    Karma is nonsense
    Cough. I wear yellow earplugs made of foam to bed, in the attempt to block out imaginary noises. My girlfriend tastes the cigarettes on my tongue, despite meticulous brushing with my green plastic Colgate brush with blue and white twister bristles at the top to remove plague, the gargling of vitriolic tasting Listerine swished around in my head for the recommended thirty seconds. She surreptitiously remarks, use a dental mirror, to quell my denial. I am a haughty captain heading straight for rocks. Tell me, tell me of the garrulous, invisible brown film that lines the back of my teeth. With you words I can almost hear it lapping against the sides of the ship in my face.
    I once read in Cosmo or something that females can choose a suitable member of the opposite sex to partner plainly based on his teeth. If his teeth are in good shape and working order then perhaps he is better equipped to man a family, procreate with her, shelter and protect the little ‘uns. All in a glance at the white bone though a smile, or in my case a snarl or a grimace.
    This is the look I wear watching my attentive grandmother as she scribbles her weekly notes from Sigrid Thornton dictating to her on “Whats Good For You”. Already,  my seventy-nine year old master is preaching to me the the values of vitamin C in reducing the duration of the common cold, and the wonders garlic tablets do in strengthening ones immunity. I cough in reply, and woozily leave the cozy, wooden sitting room. The dark breeze with its pantomime of unseen crickets carries me, whisks me to a welcome chill outside. Near the brackish basin of Burns Bay I smell salt, from my bedroom, blue ink, bleach on my fingertips, I try to obstruct the musky cocktail of sweat and Rexona wafting downwards from the garage. It mingles valiantly with the crushing noise of my brother pumping metal like a factory worker, an angry metropolitan warrior, afraid of taking out the bin. He skips in time with his heavy metal rock music.
    I sigh, dreaming of Christopher O'Riley’s tender fingers dancing on ivory piano keys, playing a mellifluous, rousing, tearful number that sounds like falling leaves wadding desperately on a chlorinated pool top.
    The blue light hurts my eyes, they water, and I muse over the noise the African elephant that died for that sonata made as it collapsed into the dusty earth.   



    Current Mood: sourdough
    Sunday, October 1st, 2006
    6:39 pm
    Poem 6:39

    Implode

     

    Young star made into this galaxy,

    Warm me. A citizen on a tiny planet shear.

    The love I have for you is the love I have for life.

    A life with you, sole partner,

    Salt sand of a barren ocean.

    Holding me up, a babies mobile above a cot,

    I float on waters skin, in air,

    We begin to unfurl our dreamings t’ward a truth

    That shines a bright eternal blue

     

    Bathe with me in golden light to cease this misery

    Evaporate the tears my soul sheds and spills

    I write your name with my finger in the sky



    Current Mood: Icing sugar
    6:38 pm
    Poem 6:38

    Roam. Room. Rome

     

    Pillage, empty plates from a

    Kitchen in a room

    To make a cupboard bare

    And wanted faulty

    And false the foul panty

    Proclaim:

    You’re making a mockery of us…

     

    I dare say dear room, I’m fixing

    You up!

     

    Tuesday, September 19th, 2006
    3:58 pm
    laughter is medicinal

    This clammy air is like a collection of small glass bottles full of brimming sun-warmed water clanging on strings against my skin. Swarthy Malaysian breezes cling to me months on so I remember those days of sweat and cheap tobacco, Tiger beer and the curled up Indian leper, naked and desperate, begging on the street corner like a wilted brown twig.

    Desiring a beach in the teeming city we resorted to expensive hotels with their lobby spas and plastic palms. To no avail, we scurried towards the dank corners lit with the aroma of stale coffee and steaming curries, our tongues mingled in the delight of a warm meal. A public pool hidden on a hill top was our grail, relying on the broken English of local street venders, our last hope, the yellow paint flecking on the jail like turnstiles, we entered into an area of shy children manning a small canteen that sold exotic coconut, durian and milk flavoured ice creams fit for a trio of balmy Westerners. Male patrons of this escape from the fevered delight of a glowing sun we forced to wear ‘special’ swimmers, a uniform navy blue spandex material that cost a few ringgits to rent. Changed, hot and bothered, I awkwardly shifted out from the change rooms; I caught a glimpse of my compares’ lashing in the cool chlorinated oasis and considered turning back. They had scoped me out already and upon seeing me laced up uncomfortably in my skintight bathers launched into a tirade of jokes and laughter at my expense.

     

    I dived in and all was quiet.

     

    Having a cold shower in the sun reminded me of that day.

    11:51 am
    2 + 2 = 5



    Dear Lord, the vanity.

    Current Mood: animal farm
    Wednesday, September 13th, 2006
    4:23 pm
    it's for you

    "If we discovered that we only had five minutes left to say all that we wanted to say, every telephone booth would be occupied by people calling other people to stammer that they loved them."

     

    Christopher Morley



    Current Mood: buttons
    Monday, September 11th, 2006
    11:24 am
    insight

    The more I close my eyes

    The more I think I can see

    Sunday, September 10th, 2006
    10:06 pm


    Current Mood: invigorated
    Tuesday, August 29th, 2006
    10:58 am
    "Trying to Foxtrot With Two-headed Screaming Baby" is Spring.


    Beyond all the garb of flowers superimposed like postage stamps on envelopes eloping to the underworld which is not a fiery inferno but a cold, damp place with no light or air. It is stuffy and cramped, there is that musty scent of wallpaper decaying like dead skin, and with each step taken that imprints harshly on the dust of a moonscape floor, ash puffs up with like a pawl catching your sole beneath a cloud of musk fragranced neck ties.

    Spring is a tooth riddled with holes. A flower with all of its petals plucked like a limp turkey beyond the state of rigor-mortis. Spring is a riddle that it knows not the answer too. Spring makes the sphinx shudder. Is the season a poem that makes sense like a dove cot. The birds never return, they would rather perish in the wild than die in your wood-work regime of arch ways and aqueducts, these things you dub civilization. Spring will dive bomb your ideology and you will not bat an eye. Too busy gazing at the flowers, you fool. Petrified as to whether one “loves you” or “loves you not”. The very dirt is bore and fertilized with eons of hate, flesh shed to feed the organisms that float in the gaps and seek out the red blood ochre to paint a simple five fingered hand print in a cave somewhere. Somewhere is a place where no flowers can grow. 


    here.



    Current Mood: Stop and smell the roses!
    Monday, August 28th, 2006
    5:56 pm
    shot analysis

    In looking at what sort of people like to dine out and the other sorts of people who eat in we can learn one thing. 
    People need food.

    4:23 pm
    Sunday, August 27th, 2006
    8:19 pm


    Friday, August 25th, 2006
    3:38 pm
    my favouite passage from a novel

    This excerpt from Orwell's '1984' should support my idea that the handwritten is so much more beautiful than typed text. 




    “It was the middle of the morning, and Winston had left the cubicle to go to the lavatory.

     

    A solitary figure was coming towards him from the other end of the long, brightly-lit corridor. It was the girl with dark hair. Four days had gone past since the evening when he had run into her outside the junk-shop. As she came nearer he saw that her right arm was in a sling, not noticeable at a distance because it was of the same colour as her overalls. Probably she had crushed her hand while swinging round one of the big kaleidoscopes on which the plots of novels were "roughed in". It was a common accident in the Fiction Department.

     

    They were perhaps four metres apart when the girl stumbled and fell almost flat on her face. A sharp cry of pain was wrung out of her. She must have fallen right on the injured arm. Winston stopped short. The girl had risen to her knees. Her face had turned a milky yellow colour against which her mouth stood out redder than ever. Her eyes were fixed on his, with an appealing expression that looked more like fear than pain.

     

    A curious emotion stirred in Winston's heart. In front of him was an enemy who was trying to kill him: in front of him, also, was a human creature, in pain and perhaps with a broken bone. Already he had instinctively started forward to help her. In the moment when he had seen her fall on the bandaged arm, it had been as though he felt the pain in his own body.

     

    "You're hurt?" he said.

     

    "It's nothing. My arm. It'll be all right in a second."

     

    She spoke as though her heart were fluttering. She had certainly turned very pale.

     

    "You haven't broken anything?"

     

    "No, I’m all right. It hurt for a moment, that's all."

     

    She held out her free hand to him, and he helped her up. She had regained some of her colour, and appeared very much better.

     

     "It's nothing," she repeated shortly. "I only gave my wrist a bit of a bang. Thanks, comrade!"

     

    And with that she walked on in the direction in which she had been going, as briskly as though it had really been nothing. The whole incident could not have taken as much as half a minute. Not to let one's feelings appear in one's face was a habit that had acquired the status of an instinct, and in any case they had been standing straight in front of a telescreen when the thing happened. Nevertheless it had been very difficult not to betray a momentary surprise, for in the two or three seconds while he was helping her up the girl had slipped something into his hand. There was no question that she had done it intentionally. It was something small and flat. As he passed through the lavatory door he transferred it to his pocket and felt it with the tips of his fingers. It was a scrap of paper folded into a square.

     

    While he stood at the urinal he managed, with a little more fingering, to get it unfolded. Obviously there must be a message of some kind written on it. For a moment he was tempted to take it into one of the water-closets and read it at once. But that would be shocking folly, as he well knew. There was no place where you could be more certain that the telescreens were watched continuously.

     

    He went back to his cubicle, sat down, threw the fragment of paper casually among the other papers on the desk, put on his spectacles and hitched the speakwrite towards him. "Five minutes," he told himself, "five minutes at the very least!" His heart bumped in his breast with frightening loudness. Fortunately the piece of work he was engaged on was mere routine, the rectification of a long list of figures, not needing close attention.

     

    Whatever was written on the paper, it must have some kind of political meaning. So far as he could see there were two possibilities. One, much the more likely, was that the girl was an agent of the Thought Police, just as he had feared. He did not know why the Thought Police should choose to deliver their messages in such a fashion, but perhaps they had their reasons. The thing that was written on the paper might be a threat, a summons, an order to commit suicide, a trap of some description. But there was another, wilder possibility that kept raising its head, though he tried vainly to suppress it. This was, that the message did not come from the Thought Police at all, but from some kind of underground organization. Perhaps the Brotherhood existed after all! Perhaps the girl was part of it! No doubt the idea was absurd, but it had sprung into his mind in the very instant of feeling the scrap of paper in his hand. It was not till a couple of minutes later that the other, more probable explanation had occurred to him. And even now, though his intellect told him that the message probably meant death -- still, that was not what he believed, and the unreasonable hope persisted, and his heart banged, and it was with difficulty that he kept his voice from trembling as he murmured his figures into the speakwrite.

     

    He rolled up the completed bundle of work and slid it into the pneumatic tube. Eight minutes had gone by. He re-adjusted his spectacles on his nose, sighed, and drew the next batch of work towards him, with the scrap of paper on top of it. He flattened it out. On it was written, in a large unformed handwriting:

     

    I love you.

     

    For several seconds he was too stunned even to throw the incriminating thing into the memory hole. When he did so, although he knew very well the danger of showing too much interest, he could not resist reading it once again, just to make sure that the words were really there.”

     

    (From chapter 2)

    Monday, August 21st, 2006
    12:45 pm
    We think the same things at the same time


    There is a great difference between crude data and genuine writing. 

    How I appreciate Dr. Mindbender's scanned in handwritten notes! It is such a relief from the monophonic fonts with their engineered serif and sans-serif pixilated faces; a regime of souless, robotic HTML. The clean lines don't hide the staircasing squares, greyscaled, blank and empty to the eye. We ultimately miss the blessed friction transcribed from ink to paper with the invisable lines on a computer screen. A printer is a robot clone, just listen to the noises it makes.  

     

    I cannot feel anything reading these generic ‘Arial’ and ‘Times New Roman’ processes. The software engineers have tried to emulate handwriting with fonts such as ‘Monotype Corsiva’, who are they trying to kid.

     

    Can spell check find emotional errors?

     

    I am a visual person and receive a buzz from the physical essence of handwriting.

    Computers are erasing our humanity. Tap, tap, tap goes the revolution. I have a headache from reading this screen.

     

    There is no debate that the vile SMS text message (aka txt msg) has replaced a human voice communicating with another human voice, and similarly electronic mail with the archaic written letter.

     

    These systems are deemed convenient and appropriate by the masses, but what is happening to the language, the emotion, the humanity of our expression? We are addicted to garbage, and the rotting smell of it wafts in noxious invisible clouds from the machines that enslave us.

    Laptops, mobile phones, palm-pilots…

     

    Why do I feel so liberated with a freshly sharpened wooden graphite pencil and a thick old perforated pad of paper with yellowing edges and the musty smell of age?

     Because it is real.

     

    I am considering starting a hand-written journal. Livejournal has huge potential in the areas of communal sharing of ideas etc. but the aesthetic and emotional levels are so limited the users become 2-dimensional pixilated blurs that hardly reflect the true self.   

     

    As an experiment of this I ask you which image communicates more emotion?

     

    One.

    robot girl
     
    OR/

    2. 

    Human girl


    You (or your PC) decide.



    Current Mood: grateful
    Saturday, August 19th, 2006
    3:51 pm

    Expostulation and Reply

     

    There have been some very insightful and convincing ideas in reply to my recent ‘visual’ post, posing a possible example of some differences between Classicism and Romanticism as set into motion with T.E.Hulme’s bothersome essay titled “Romanticism and Classicism.”

     I think most ideas, opinions and thoughts of substance have more than one side. Hence, I would argue there is truth and value to be gained from both the Romantic and Classicist schools of thought. Hulme drastically simplifies the Romantic argument, in some instances wrongly interpreting their ideas as something egocentric, arrogant, and unnatural.

    I view Hulme as a failed poet. Clearly, some of his works were published, and I don’t hesitate to admit they are quite good nice in the way of imagery etc. however in politicizing poetry with a draconian wand is a serious abuse of language and a bastardization of the art. Ironically, Hulme is treating poetry, the last frontier of mystery, the effusion of ideology, spirituality and imagination, as a hospital cleaner with new rubber gloves, antiseptic, and the application of a mop head on cold, hard white tiles.  His clinical approach is bitter and inaccurate, serving his agenda as an imagist, without serving the argument of Romanticism/ Classicism in a just light.

     A more accurate title for his essay would be “Wonder and Reason”. Thus, fitting the historical paradigms and movements of the times adhering to the rough model of:

    Enlightenment > Romanticism > Victorianism > Modernism.

     In crude terms what is the model but the instigation of reason to wonder to reason and back to wonder?

     Hulme is shooting himself in the foot by attacking Romanticism. He is like a great dictator casting the humans of his literary nation into Jews, gentiles, Catholics, Nazis, communists, Poles, Russians. 

    He is the creator of an “us” verses “them” situation. This is not surprising, as the man was a critic of pacifism. Healthy argument is the way forward, but ignorant simplification to vehemently demolish a counter idea is sickening.

     Oscar Wilde’s comment that we live in a “world of surfaces” attaches itself like a tick to the knotted fur of the Classicists and Victorians coat. All to often, their narratives skim across the exterior, skipping over the water. Buried inside the linear fairy-tale model we smell a rat under the dusty floorboards. The airborne dreams of the writer begin to waft, reeking of that superficial credo that life is some great broiling tree, tall and strong. The pillars of morality and education are hoisted up in marble relief.

    Really, we are more like a heaped handful of mixed seeds tossed mindlessly into the barren soil. Some of the seeds spout, others die, a few are eaten by birds and small rodents, a number rotting in sun and rain, and many are blown away in the gusts of winds that sweep the plains. The bigger, grandiose picture schema puts all of the little, ‘insignificant bothers’ out of focus. These ideals of a great oak spouting from the Classicist’s page, nurtured to overwhelm the dwarfed reader, become glorified and abhorrent. This is the true spilt religion Mr. Hulme.

    The writers, like you, have ignored the flowers growing at the trunks base, a bird’s nest delicately poised on an outer limb, a lover’s initials scratched with a pen knife into the peeling bark. Woolf’s ‘mark on the wall’ motif has been shunned and overlooked.

     Hulme is the voice of today’s novel fodder readership. The formulaic, rules ridden approach that scraps the mysteries of the imaginative mind and reverts to the big tree model. A narrative can no longer be about something or someone small, Wordsworth’s immortal leech gatherer. As in the case of Dr. Jekyll and Mr. Hyde, we all seem to live in the cast of our respectable, public identity when in truth there seeps an amoral secret side that craves something more real. Wordsworth said it best in the line: “All things that love the sun are out of doors.”

     I ask you, not in jest, have you ever heard the skylark warble in the sky? Tis then that a person learns he does not desire to be like Dravot and Carnehan from Kiplings’ “The Man Who Would Be King” but a man. The blinding gloss of facades, the moral and educational duties Hulme preaches steers us from the truth. I find the unadulterated modernism of Conrad, Woolf, Huxley, Orwell, Yeats and the War poets to name a few rejects Hulme’s repudiation of Romanticism.

    Modernism, like all literature draws material from the past and builds on top of it. Rooms are renovated, wall knocked down, and technology accustomed. Without Romanticism, or Classicism for that matter Modernism would fall flat on its face.

     In some areas I agree with Hulme. His conviction that literary eras are shaped by their historical contexts is an important point. Romanticism was a product of its time, and no era, however great can withhold universal truth for all eternity. The only thing constant is man himself.

    I view the power of literature as a collective fusing of all of our histories. There is much overlapping, bridging, breaching out, conflict and opposing ideas mesh, fall and stack up together. Everything, nothing excluded builds the complete picture.



    Current Mood: curious
    2:42 pm
    screen resolution is 1024 x 768

    Something to consider with Conrad’s writing style in Heart of Darkness can be drawn from the words of Elizabeth Jolley’s last collection of work, Learning to Dance, in which she describes her ideas on fiction.


    “To me, equally important as the forward-going action of the novel is the dwelling in the novel, the passages that enable a reader to look about the landscape, to study the situation, and above all to see all round a character.”


     

    Wednesday, August 16th, 2006
    12:56 pm
    Sunday, August 13th, 2006
    2:50 pm
    portrait of a lady

    Yeats and Achebe were wrong.

    ?
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